![]() The clip centers on a character named “Jaybo,” a tweak on the “Sambo” character from the children’s book The Story of Little Black Sambo, a reference that’s long-running shorthand for racist portrayals of African-Americans in the media. Jay-Z directed the clip along with Mark Romanek, the man behind 2004’s “99 Problems” video and feature films like Never Let Me Go. “Financial freedom our only hope,” he raps, “Fuck living rich and dying broke.” In the iHeartRadio interview, Jay-Z described “The Story of O.J.” as “a song about we as a culture having a plan how we’re gonna push this forward.”Ī black-and-white animated video for “The Story of O.J.” also surfaced on Tidal on Thursday night. In the second half of the song, Jay-Z focuses on amassing resources as a potential way out of a deeply rooted cycle of violent marginalization. He responds with a noncommittal verbal shrug: “OK.” like, ‘I’m not black, I’m O.J.,'” Jay-Z notes. Simpson’s famous statement about being able to escape the color of his skin. Jay-Z adds an assertion of unity across these factions – “still nigga.” He also appears to dispute O.J. Jay-Z uses a similar conceit for his jumping-off point: “Light nigga, dark nigga, faux nigga, real nigga,” he raps. In that song, from 1966, Simone famously narrates the tales of four different black women, all of whom are battling the effects of entrenched racism in American society. Snippets of Nina Simone’s voice from “Four Women” rub against Jay-Z’s conversational raps. On “The Story of O.J.,” a bass thunks out a few ripe notes, and a flighty piano tumbles after. This is the first of many beats that build around a straightforward, unfussy loop, nodding to the early part of Jay-Z’s career when his work was a bastion of boom-bap. establish 4:44‘s sonic foundations on its second track. Thinking back to the time he almost lost Beyoncé, Jay makes allusions to the men that famously fumbled relationships with Halle Berry (“You almost went Eric Benet”) and Ciara (“In the Future, other niggas playin’ football with your son”). “You egged Solange on, knowing all along, all you had to say was you was wrong,” he castigates himself. It was the first signal to the world that not all was well in the Carter family. ![]() Later, Jay brings up the 2014 Met Gala incident, when Beyoncé’s sister Solange got physical with him in an elevator, an altercation that was caught on security camera. ![]() “He gave you 20 minutes on stage, fuck was he thinkin’?” “You gave him 20 million without thinkin’,” Jay says, supposedly confirming a rumor that he lent West a large sum of money a few years ago. He mentions the childhood incident in which he shot his own brother, memorialized in the 1997 track “You Must Love Me” and the 1999 stabbing of producer Lance “Un” Rivera that became his biggest scrape with the law as a celebrity.īut there are two particular headline-grabbing incidents that get the most intriguing references on “Kill Jay Z.” “You dropped outta school, you lost your principles,” he says as he begins subliminally, but sharply, addressing Kanye “The College Dropout” West, who called out Jay during a concert last November. In one long, uninterrupted verse, Jay-Z zeroes in on several of the most significant conflicts in his life. “Kill Jay Z” samples the Alan Parson Project’s 1977 soft-rock hit “Don’t Let It Show,” with Dave Townsend’s skipping, stuttering voice repeating the words “They say I’m to blame” throughout the track. “It’s about killing off the ego, so we can have this conversation in a place of vulnerability and honesty.”ħ0 Greatest Music Documentaries of All Time Is he killing off the version of himself from the last four years, the one that inspired the songs of betrayal on Beyonce’s Lemonade? “It’s really about the ego,” Jay said in an iHeart Radio interview that accompanied the premiere of the album. Here’s a track-by-track breakdown of 4:44.Īhead of the release of 4:44, hyphen fans everywhere celebrated the return of “Jay-Z,” the stylization that Sean Carter used from roughly 1997 until 2013, when he dropped the punctuation to become simply “Jay Z.” The fact that the first new song by the renewed Jay-Z is titled “Kill Jay Z,” with no hyphen, is either a typographical error or pointed subtext. On the album, executive produced by No I.D., Jay-Z takes a pro-black stance, addresses intergenerational conflicts in hip-hop and talks about marital troubles after many had interpreted lines for his wife Beyoncé’s 2016 album Lemonade as alluding to infidelity. Veteran MC Jay-Z dropped his 13th album last night via Tidal, the streaming service he owns.
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![]() 9 Yugi Reloadedīased off of Yugi Moto's deck from the first episode from the original anime. The deck is also vulnerable to decks based around anti-Dragon monsters like the Buster Blader. The problem with the simplicity of this deck's strategy is that it is easy to counter once your opponent knows how you are using this deck. The deck is designed for quick tribute summoning or keeping as little monster cards in your hand. The other strategy being to summon as many monsters as possible. one strategy is to tribute summon the Blue-Eye White Dragon. 10 Kaiba Reloadedīased off of Seto Kaiba's card deck from the first episode from the original anime. The Calculator is also a very fun Monster to build around, and Cyber Dragon is an always-fantastic card for any deck to take advantage of. Saber Force comes with great Spell and Trap cards, including Dark Hole, Dust Tornado, and Smashing Ground. Odd-Eyes Saber Dragon can destroy a Monster an opponent controls (without targetting) whenever it destroys a Monster by battle. It's a fantastic one as well, as it's easy to special summon and build up advantage thanks to its effect. Saber Force has plenty of useful cards, with Odd-Eyes Saber Dragon being its cover card. Starter Deck: Dawn of the Syz served as a great starting off point for Xyz summoning, with cards in it being used to this day. In addition, it comes with great staple cards like Dust Tornado, Raigeki Break, and The Warrior Returning Alive. Its cover card was Number 39: Utopia, a card which is still used in modern decks to this day thanks to Utopia: The Lightning and Double or Nothing. Starter Deck: Dawn of the Syz, as the title implies, came out right before Yu-Gi-Oh! Zexal came out and served as an introduction to the then-new Xyz mechanic. ![]() Staple cards such as Monster Reincarnation and Smashing Ground are great additions to the deck as well. Dark Legion included a few cards that deal piercing damage, as well as cards that set up the graveyard. Its cover card, D/D/D Dragon King Pendragon is a great card, with an easy to special summon condition and the ability to destroy Spell and Trap cards while boosting up its already great Attack stat. 13 Dark Legionĭark Legion includes plenty of awesome cards, with only three useless Normal Monsters included in the deck. It has good cards that can still be used today, such as Sakuretsu Armor and the aforementioned Book of Moon. Giant Trunade, Heavy Storm, and Book of Moon were all fantastic staples at the time, so much so the former two have been banned for quite some time. The "Roid" Monsters included are solid for the archetype, but what makes Starter Deck - Syrus good is the Spell and Trap card line-up it provides. A good chunk of them are Normal Monsters after all. ![]() Starter Deck - Syrus Truesdale doesn't offer too much when it comes to its Monster line-up. 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Updated November 3rd, 2020 by Johnny Garcia: Yu-Gi-Oh! is constantly adding new Starter and Structure Decks to the game, and has recently announced both a Charmer and Dragunity deck. This ranking will be based on the rare cards in the deck and the strength of their main mechanic. This article will examine the ten best Starter Decks for players wanting to get into Yu-Gi-Oh! and rank them on their potential power. RELATED: Yu-Gi-Oh!: The 5 Strongest Villain Decks (& 5 Decks That Would Never Win) These Starter Decks also tends to be based on the decks used by the main character of various Yu-Gi-Oh! series. These Starter Decks come with a full Deck of cards designed to teach new players either a certain game mechanic or strategy to utilize. One way to learn this complex, but popular TCG is through its various Starter Decks. 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For instance, you lock on to targets to fire your gun at them by tapping on them, but you’ve already got to have them sort of centered on the screen, as if you tap to target too close to the left side of the screen the game thinks you’re trying to move and brings up the virtual joystick. That being said, they work perfectly fine aside from a few awkward moments here and there. If you hate virtual controls, Liberty City Stories isn’t going to be the game to win you over to enjoying them. All of the functions of the game have been mapped to virtual controls on the screen, and, well, they’re virtual controls. That makes this a port of a port.Īs far as the iOS port is concerned, it’s in line with the other titles in the series that have made it to the App Store and is ported to the touchscreen as well as it reasonably could be. Additionally, I believe this port of the game is based off the PlayStation 2 port, as it’s lacking the PSP’s local multiplayer mode, but, whatever. So, again, much like it was in 2005, Liberty City Stories is still a fun game in 2015. The cool thing with this game is that since it was originally built as a portable game, all the missions are typically brief, although some are more involved and feature things like racing speedboats, elaborate assassinations, and more. Missions involve the typical stuff you do in GTA games like driving people around, killing others, stealing cars, the usual. You accept and complete missions, eventually coming across other characters who give you their own missions, and through doing all these the greater plot of the game is slowly revealed. Like other GTA games, gameplay is exactly what you’d expect. In 2015, it all comes off a little silly, but to appreciate what this game is doing you’ve got to step back and realize that this kind of fully voiced open 3D world thing in a portable game was incredibly cutting edge for its time. The characters in the game, like basically all the early GTA games lean heavily on various stereotypes, so, strap in for basically every Italian character and mafia trope in the book. Players take control of Toni Cipriani (who people super familiar with other GTA games might recognize) and quickly find themselves right in the thick of things between various organized crime families. Rockstar provided us with an early copy of the iOS port, and it makes me want to send a message back in time to my 2005 self that says, “Hey, deal with the ghosting and load times, this game is great."Īs you’ve probably guessed, Liberty City Stories takes place in the same Liberty City as Grand Theft Auto III ($4.99), but what’s extra cool about this visit to Liberty City is that the game got the upgrades the rest of the series saw over the years including indoor environments, motorcycles, better camera movement, and other quality of life improvements that we just sort of take for granted now. Severe ghosting on the screen of my first-generation PSP made the game real hard for me to enjoy playing, and while from a critical perspective it was received incredibly well, I never really got that far into it. Compared to other games in the series, Liberty City Stories was never that memorable to me. The top down Grand Theft Auto Advance felt particularly dated, sandwiched in between the launch of Grand Theft Auto: San Andreas ($6.99) and Grand Theft Auto: Liberty City Stories, which both (obviously) were full-blown 3D titles. Sure, there were GTA games on the Game Boy Advance and Game Boy Color, but those games totally embodied the whole early handheld gaming scene, as they were toned down versions of GTA in every way the game could possibly be toned down and as a result of that really just weren’t that great. 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I designed this show nearly two years ago and I’ve been looking at the progress lately of the set thinking “What exactly WAS my approach with this design?” I like to deconstruct scenery a lot and the original direction was very specific about there being certain levels, set pieces, etc. This was a question I had to think a lot about. What was your insight and methodology of your “RENT” set design? History with the show? Well yeah of course, I was that annoying theatre kid in high school who would NOT stop talking about the show. Now finally getting to debut on the new performing venue, SDMT Stage, the RENT set design presented new challenges and hurdles that had to be overcome. The ever talented Mathys Herbert shared with us his inspiration and methodology behind creating the SDMT RENT set design! 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